Monday, February 13, 2012

Whitney.

There once was a boy from the Midwest who was shielded from everything.  From culture, from music, from anything having to do with the big bad world.  He lived his life totally ignorant of the world of “pop,” until one day after church he sat with his Baptist Minister father, his mother and his sister, in a Michigan Taco Bell.   

Nacho in hand, the boy suddenly looked up and, wide-eyed, stared out the window in a blissful haze.  Because on the radio was something like he’d never heard – something that, one way or another, he was determined to hear more of. 

The boy went out, bought the cassingle of the track he’d heard, ran home to his boombox, and put it on repeat for what must have seemed to his parents to be the next few years, but in reality was probably more like 3 weeks or so.  It was a song that literally changed his life – that opened up a whole new world to him.  It was called “I Will Always Love You,” and it was sung by Whitney Houston. 

Whitney was the boy’s first pop concert – he dragged his parents with him to the Pontiac Silverdome late in 1993.  Whitney was how the boy first experienced true raw emotion through music.  And Whitney was, in one way or another, the soundtrack to his teenage years. 

He'd been a musician all his life - he started playing piano ten years earlier, at age 3 -  but the second he heard the sound coming out of that Taco Bell speaker he knew he wanted to do pop.  And when he finally bought “The Bodyguard” soundtrack CD – his first pop album ever – he flipped over the case, looked at the address of the label, Arista Records, and wrote the company a letter asking how he could be a star just like Whitney.

The letter never got answered, of course, but the seed of his dream had been sown.  Whitney awoke something in him that set him down the path he still walks today.  As a teen he sat in his parents' Audi and blew out the speakers blasting "One Moment In Time," because he was determined to have just one moment of his very own.  He became a published songwriter, a TV host, an entertainment lawyer, and music blogger, all, in some strange way, because Whitney Houston told him he could. 

One could argue that if it hadn’t been Whitney it would have been someone else.  But the point is it wasn’t someone else.  She had something special that crossed over where nothing had before, and reached into the sheltered life of an adolescent kid and shook him out of his ignorant sleep. 

Even though they drifted apart in later years, she was always there.  In the background at a restaurant, on the screen at a bar.  And recently, with her semi-successful comeback, “Million Dollar Bill,” she even ended up with the unofficial song of his summer. 

Now she’s gone, and the boy is realizing just how much a part of his life Whitney really was, and just how much he owes to her. How everything was different before she came into his life, and how different things would be today if she never had.

So, to Whitney, now that you're asleep:  Thank you for waking that boy up.


Friday, February 10, 2012

Katy Perry will not give up until she beats Michael Jackson - listen to her new single 'Part of Me' now!

"Sir I'm afraid this is for first class passengers only"
Oh Katy Perry.

Maybe it's her ruthless and insatiable desire for success.  Maybe it's that she just broke up with her husband and wants to prove he's missing out.  Or maybe she's just a vapid cog in her management team's moneymaking scheme.  But regardless of the reason, Katy is soldiering on in her quest to shatter the record for most number 1 singles from an album.  And that, friends, means 'Teenage Dream' is getting re-released, BECAUSE OF COURSE IT IS.

'Teenage Dream: The Complete Confection" is the star's last ditch attempt at landing a giant, noteworthy chart record of her very own.  She recently tied none other than THE ACTUAL MICHAEL JACKSON, who until recently was the only artist in history to notch 5 number ones from a single LP, but obviously Katy won't settle for second best unless we're talking about men or album producers. 

It almost happened a couple weeks ago, but things didn't go quite as planned for 'The One That Got Away,' Katy's last single, though it did make it all the way to #3 before it sputtered out.  But NEVER FEAR, POP FANS - since the words "flogged to death" mean nothing in this day and age, the entire parent album is being retooled, some mixes added, and of course, it will feature a BRAND NEW TRACK which may very well set the charts alight.

Whether new single 'Part Of Me' will hit the top is still to be determined, of course, but even if it does it will likely have a dubious place in the record books.  Does having 6 #1 singles from an album really count if one of them wasn't even on the album in the first place? (everyone: "NO.")

Our guess is Katy Perry's management thinks so, and so will just about every press release that Capitol Records chucks out for the next year if they pull this thing off.

In any case, the new track is "very good" in that way that Katy Perry songs are "very good" if you like Katy Perry.  If you don't, you probably aren't reading this post anyway, so we'll just save the typing and get right to the preview:



"so there's that then."

Monday, February 6, 2012

Ladyhawke is back with Black White & Blue - watch the premiere now!

"I'm prettier when you can't see my teeth."
So last night some lady sang some songs at the World Bowling Championship or something and it was VERY VERY GOOD even though the whole opening was ripped off Kylie's 'Aphrodite' Tour in a shockingly blatant way.  But today life must go on and SO IT DOES in the form of a rather brilliant track by retro-svengali Ladyhawke.

It's called Black White & Blue and is an obvious play on the AMERICA F*CK YEAH theme but also on bruising (?) but most importantly it is a LITTLE BIT TREMENDOUS. 

Equally tremendous is the video for the song, which is all retro-chic with soft lighting, late-70's pastels and a kind of awkward photo shoot that feels a bit like when your uncle used to make you bounce on his knee even though he wasn't really your uncle, just some guy your dad knew from the bar, and also the fact that you were 16. 

Anyway, the video is really good and even though everyone is still talking about Madge's all-conquering halftime show, it deserves some goddamn recognition.

Monday, January 30, 2012

MADONNA'S SINGLE COVER IS AMAZING - album/single press release ahoy!

This is what we in the business call a "brilliant single cover"

So Madge-Mantis is gearing up for her first studio album since the...less than spectacular 'Hard Candy,' and if the promo campaign for the record is anything to go by, that LP's relative failure taught Miss M some Hard lessons.  (Ed:  groan.)

First, Madonna's wisely moved up the availability date of the track on iTunes.  Originally it was slated to be available on February 7, two whole days after her Superbowl performance.  It might be a reflection of the terrifyingly fast-moving world we now live in, but those two days could have (likely would have) meant the difference between possibly having a chart-topping hit for the first time since 'Music' way back in 2001, and everyone forgetting that the song even exists.

The revised plan is now for the video to debut during American Idol on Feb. 2, the track will be available from iTunes on Feb. 3, and any pre-orders of the album made between Feb. 3 and Feb. 6 will come with a free download of the single and remix.

The second big piece of information the Evil Queen has deigned to give us is that the album will feature no less than EIGHTEEN TRACKS (amazing, unless half of them or filler which - let's be honest - they very well might be) from the likes of William Orbit, her 'Ray of Light' collaborator, Martin Solveig, The Demolition Crew, Marco “Benny” Benassi and Alessandro “Alle” Benassi, Hardy “Indiigo” Muanza, Michael Malih and of course at least one written by Madonna - presumably her Elton John/David Furnish-incensing 'Masterpiece' from her film 'W.E.'

To be fair we haven't been this excited about a Madonna project since 'Confessions on a Dancefloor' came out, so fingers crossed that everything goes right.  But with a killer single (and flat out amazing single cover) and the most prime promo gigs available, we're not too worried.  And we imagine neither is she.


Here's a promo for the video that includes approximately 2.3 seconds of the clip in seizure-like flashes:



Yes.

Thursday, January 26, 2012

Kylie shows she's a true artist on BRAND NEW 'Finer Feelings' - watch now!

Fierce and mighty.
So there was this girl named Kylie and she was a soap opera star in Australia and then a soap opera star in England and then a pop star everywhere for the next TWO AND A HALF DECADES.  She was at the top of the music heap then at the bottom, and then pulled herself up by her gold hotpants and became the PRINCESS OF EVERYTHING ALWAYS - in the process conquering cancer, having some of the biggest hits of the 2000's and becoming Britian and Australia's most powerful celebrity. 

In case you're wondering how she managed all that, the long answer is very complicated and involves branding and marketing and promotion and PowerPoints with lots of tedious graphs and such, but the short answer is THROUGH DECADES OF CONSISTENTLY AMAZING MUSIC.  And just in case you need more clarification about that, someone has chucked together this handy compilation clip that sums up the Pop Princess's videos in a remarkably un-tedious 17 minutes.  It advertises itself as a celebration of one star, but in reality is a time capsule of pop music itself over the last 25 years.  It traces popular song from its 80's infancy to the all-powerful force it is today.  But be warned, ScopiSubjects - you think you'll watch it for just a couple minutes but then 20 minutes later you'll look up from your screen, bleary-eyed and wondering what happened.


Worldwide she's as big as Madonna, and in the U.S. she's a cult celebrity with a fanbase (read: the gays) more rabid than America's biggest acts could ever hope for.  And to celebrate sticking around for 25 years, K-Mo has launched the K25 "project," which is essentially a YEAR-LONG CELEBRATION OF HERSELF - which we think we can all agree is AN AMAZING THING TO DO.  Included in that celebration is new material, and an album of her greatest hits recorded with a live orchestra at Abbey Road studios.  And to kick things off, Kylie has given us this video of her 'Finer Feelings,' which proves once and for all something that die-hard fans learned during her late-90's "indie phase," and what the general public is starting to finally realize - that underneath the glittery pop veneer, Miss Minogue is an ACTUAL ARTIST.



"Perfection."

Wednesday, January 25, 2012

Brillballs Gabriella Cilmi is back with some 'Vicious Love' - watch the premiere now!

Haters can ride it.
In "ABOUT GODDAMN TIME" news, Gabriella Cilmi - who gave us the literally amazing 'Sweet About Me' and 'On A Mission', is back on the scene with a sort-of-single, sort-of-teaser to give a taste of what is in store for her new album.  And it is VERY GOOD.

The Aussie songstress started out at the age of just 16, riding the new-soul tidal wave that brought us Amy Winehouse and Duffy, but then went full-on pop for her second album.  This new material seems to have more in common with her low key soul roots, but luckily for us it seems like she didn't forget everything she learned on her sophomore long-play, as the first track still has a definite pop edge to it.

It's no wonder her handlers have decided to turn back the clock, though - her first album outsold its follow up 2-1, and even spawned some success in America - something she couldn't replicate with her last album, '10'.  Perhaps they're trying to get back some of that chart magic, but we doubt we're alone in hoping there's at least one disco-stomper on the new LP.

Welcome back, Gabriella.  We missed you like whoa.

Thursday, January 19, 2012

FREE DOWNLOAD AHOY - The new Santigold is very good but "not everyone's cup of tea"

Santigold used to be called Santogold but isn't any longer.  She also used to make music but then stopped for like, 5 years or something.  Anyway, new name in tow, she's returned with a BIG COMEBACK SINGLE that will probably win a thousand Grammys but be played on the radio only once by a late-night NPR DJ who is a close personal friend of the artist.

It's got some of the hallmarks of a hit - sick beat, "now" lyrics - and anyone with a keen ear might hear a kinship between it and recent tracks by Beyonce and Nicola Roberts.  That's because it was produced by Switch, who did music for each of them. 

But regardless of its pedigree, it's MORE THAN A BIT STRANGE and miles away from anything chart friendly.   The video certainly doesn't help matters, as it's a low-budget celebration of 90's live animaction with a few quirks of its own.  Look, bad lighting and no makeup!  Squiggly lines everywhere!  Hi-tops!!

It's as if all of fauxhemian Brooklyn got together and said "let us anoint a 35 year old woman from Philadelphia as our queen" and this is what resulted.  Which isn't to say it's bad.  Just that we're going to wait for the next single before we pre-order the album.

Luckily this track is ABSOLUTELY FREE over at Santigold's website

So, weird or not, it's still going on our iphone.

Mission accomplished, Santigold.  Mission accomplished.

Tuesday, January 17, 2012

Alexandra Burke is back with BONA FIDE CLUB BANGER 'Elephant' - listen now

...you've got something on your lips, dear...
Alexandra Burke has had quite a time of it hasn't she?  She burst onto the pop scene as winner of the UK X-Factor in 2008, and has since tallied up 3 number 1 singles and a chart topping album.   She was the first female solo artist to sell a million copies of a single, and sold 105,000 copies of her debut track...in a single day.

But as is the way in these fast-moving times, things got a bit wonky toward the end of her first album's campaign.  Granted, it was the sixth single from the parent LP, but final release 'Silence' only limped to #16, and many started wondering if Alex's follow up album would suffer from the dreaded sophomore slump.

Well it's about time to find out, as the lead single from Ms. Burke's second record is finally here.  'Elephant' is an of-the-moment donkfest of the highest order, with a thumping beat and bubbly bassline.  But while that formula once nearly guaranteed chart success thanks to the dance music craze, one can't help but feel that Alexandra is jumping on the bandwagon just a bit too late.  In fact, we're pretty sure that 2012 will be the year that the current manifestation of club music jumps the shark and is replaced by some random underground oddity that will be co-opted by an up and coming pop act. 

Only time will tell whether Alexandra's foray into poppers-o-clock pop will prove successful, but at the very least we get a jam of a song out of it.